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Instrument Maintenance & Upgrades, Reminder of Impartiality with Gemstone Evaluation Requests

Instrument Maintenance & Upgrades, Reminder of Impartiality with Gemstone Evaluation Requests


As certain instruments return from a long-delayed maintenance abroad due to component pricing issues caused by the tariff situation in the US, some that still require maintenance have instead been replaced with newer advanced models that possess higher capacities of performance. (Kindly note that we currently do not offer gemological reports for rough or uncut rocks or minerals for 2025.)

Gemcamp Laboratories Interior

A friendly reminder that our laboratory intentionally does not commercially buy or sell gemstones, nor are we connected to or affiliated with any currently active jewelry-selling business. While our in-house staff (G.G.) hold over a decade of prior experience in the jewelry trade, it remains our policy that no current employee of the laboratory engages in commercial gem trading with clients looking to have their items tested with us. We do this to actively prioritize impartiality in our professional assessments, as well as creating the absence of any vested interest in opinions, results or grading. 

Gemcamp Laboratories Microscope


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3 Myths about Lab-Grown Diamonds Debunked or Clarified

3 Myths about Lab-Grown Diamonds Debunked or Clarified


 

Myth 1: 'Lab grown diamonds hold their value over time.'

Lab-grown diamonds began populating jewelry retail spaces more frequently in 2015. At that time, a good ballpark figure was to say that a typical 1 carat lab-grown diamond would cost anywhere between 10-16% less than a natural diamond counterpart with similar color and clarity traits.


Fast-forward to 2020, and the production of lab-grown diamond products for the jewelry industry has reached substantially higher levels. It would be common to see lab-grown diamonds go for around 45-55% less than their natural diamond counterparts with the same grade. This substantial drop had dealt a heavy blow to early investors of CVD and HPHT lab-grown diamonds, although the trend merely followed laws of supply and demand wherein improving technologies (that had also gotten cheaper with their widespread adoption) created the opportunity for many newcomers to go into the manufacturing business of LGD. It was a lucrative space that was becoming more and more accessible to producers.


As we jump forward to late 2024 and early 2025, observant buyers will now notice that prices for lab-grown diamonds have gone down even further. It would not be uncommon to be able to acquire a lab-grown diamond at a price around 90% cheaper than a natural diamond with equivalent 4C traits. Depending on the source, reports of 92-95% cheaper price tags have also surfaced, giving rise to a divide in the jewelry collector market’s reception of LGD’s. More affordable prices can sometimes blur the gap between commercial jewelry and fine jewelry items, however fans of lab-grown diamonds hyperfixate on the fact that these items are still diamonds- in the sense that they have the same essential chemical composition, crystal structure, brilliance and even hardness. 



Myth 2: 'Lab grown diamonds are “certified” by major laboratories.'


Many of the world's leading laboratories, such as the Gemological Institute of America, issue gemological reports as their official document type (even for natural diamonds and other gemstones). This may be read on their website statement here. Most of the jewelry industry has adopted the trade term ‘cert’ or ‘certificate’ when referring to these kinds of reports, due to the fact that such words have more of an impact from a purely marketing standpoint. 


While many laboratories do accept testing requests for lab-grown diamonds, it’s important to note that there may often be very substantial differences to the way lab-grown diamonds are described on reports in contrast to how natural diamonds are described. GIA for example, at least as of this article’s publication, has announced changes to the format and content of reports for lab-grown diamonds. One important change would be that they “will start using descriptive terms to characterize the quality of laboratory-grown diamonds” and “will no longer use the color and clarity nomenclature that GIA developed for natural diamonds.” - both statements quoted from their website announcements. This will supposedly go into effect in October of this year.


What does this mean exactly? While laboratory policies and systems are ever changing (even quick paced in the recent months), for now at least they have clarified that lab-grown diamonds formerly graded in the D-Z color range will now be much more simply classified as: “premium” or “standard,” based on GIA’s own assessment of clarity, color, and cut. Likewise any LGD that does not meet the criteria even for “standard”, will not receive a grading. Interested readers may inquire directly with GIA on this, as we are only basing this information from their public announcements on different platforms. Such policies may also change or be further clarified at the discretion of GIA itself of course.




Myth 3: 'Lab-grown diamonds are the same as imitations like cubic zirconia and moissanite.'


While this may be easier to debunk for experienced jewelry buyers, not everyone knows about the technical differentiation between lab-grown diamonds versus other kinds of “diamond alternatives” out there on the market.


Lab-grown diamonds are man-made or artificially created diamonds with the same essential chemical composition and crystal structure as the diamond mineral we all know of. While some differences remain (such as crystal habit, which is influenced by the growth method and machinery involved), traits such as Moh’s hardness (10), refractive index and adamantine luster are the same for both natural and lab-grown diamonds.


Now in contrast to this, there are what we call diamond “simulants”, also known as diamond “imitations”. These are in simple terms- materials that look like diamond (to the point where visually they can be very hard to distinguish apart using the naked eye), but do not possess the same essential chemistry or atomic structure as diamond. The most popular diamond simulants used today are cubic zirconia and moissanite, both of which are currently very much cheaper to buy or manufacture compared to lab-grown diamonds.


Cubic zirconia was the earlier of the two imitation types to be invented and popularized. In response to this, a very simple technology was adapted using thermal conductivity detection, in the effort to aid jewelers with the separation of cubic zirconia from diamond. It should be noted however that these ‘thermal conductivity pen testers’ cannot distinguish between moissanite, natural diamond and lab-grown diamond. 


Today, advanced spectrometric tests are typically the go-to necessary screening method used for the separation of lab-grown diamonds from natural diamonds. One cannot rely on those old diamond pen testers that were once invented for the easy detection of cubic zirconia or other older simulants.


Electronic or multi-testers that sometimes make use of a combination of thermal and electrical conductivity are occasionally useful for detecting moissanite, however they are not black-and-white tests as most people may believe. Many HPHT lab-grown diamonds for example have boron impurities that increase the electrical conductivity of the stone. This can easily confuse a multi-tester into thinking that an HPHT lab-grown diamond is a moissanite by mistake. Such is only one of the issues that should be considered when using even the newer types of pen testers today.


When in doubt, especially with high value purchases, it is always best to counter-check the item with a gemological laboratory that does not buy or sell diamonds and gemstones commercially. An impartial, third-party assessment is usually the most ethical and accurate choice for transparency in the jewelry trade today, which is why most of the largest laboratories in the world such as GIA, SSEF, Gem-A and HRD do not buy and sell gemstone items.

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Advancing Our Local Gemological Laboratories by Learning with the Swiss Gemological Institute | Schweizerisches Gemmologisches Institut (SSEF)

Advancing Our Local Gemological Laboratories by Learning with the Swiss Gemological Institute | Schweizerisches Gemmologisches Institut (SSEF)


Some time during the later half of our working trip in Switzerland this 2024, we had the privilege of learning with pioneering gemologists from one of the most advanced international laboratories in Europe. Visiting the Swiss Gemological Institute or Schweizerisches Gemmologisches Institut (SSEF) in Basel, we took part in their intensive Scientific Gemology course program to further develop our in-house knowledge on the different types of laboratory spectrometers used in gemology. This undertaking was suggested to us by colleagues and friends we had met many years ago during our GIA days in Hong Kong.

The entire campus program was incredibly informative and their laboratory staff were all very well experienced and at the top of their respective fields. We were able to properly go through full processes with many of their instruments such as the Micro-Raman, FTIR and UV-Vis spectrometers, as well as gain insight into the workings of the LA ICP mass spectrometer as well. All of this was done with immense efficiency in order to assimilate as much technical learning as possible during our stay in the city of Basel.

The immersive lecture sessions and hands-on practicals given by Dr. Tashia Dzikowski-Hutter and Dr. Michael S. Krzemnicki (Director of SSEF), were the highlight of our month, giving us new groundwork to further our gemological prowess and capabilities as an independent laboratory here in Southeast Asia.

As we return to our normal day-to-day operations, the insight and techniques gained from this program will most definitely be supportive additions to our staff’s existing capabilities and knowledge base. To this day, members of our laboratory team have completed a suite of extensive courses and programs from the Gemological Institute of America | GIA, Gem-A, De Beers, AIGS, Gubelin, Christie’s and SSEF.




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 The Evolving Art of Colored Gemstone Grading

The Evolving Art of Colored Gemstone Grading




While many of you are familiar with the way most diamonds are graded for color, not a lot of people know much about how precious gemstone varieties like ruby, sapphire and emerald are graded for their most important attribute. The visual aspect of color has governed the values of most gemstones throughout history, even during a time period when the big three colored gems were valued much more highly that colorless diamond. Entire societies would covet the rare, vermillion greens of scarce Colombian emeralds, as well as the infamous 'pigeon blood' shades of highly vivid rubies from Burma (Myanmar).


The trade has often used very descriptive terms to somehow paint a picture of a gemstone's colorful beauty. For sapphires, the term 'cornflower blue' would often be touted as the finest color shade available on the high end market. Such a term was first applied to products from the Kashmir region, back when the original sapphire mines in that area were operational.

Most trade names for gem colors were created for marketing purposes, and as you might expect- there was a degree of inconsistency between different people when trying to imagine or evaluate stones based on such descriptive names. Today, the colored stone industry still holds multiple systems for conveying the color of most precious stones. There exists a much larger degree of subjectivity when dealing with this topic, and so it is always advisable to physically view a colored gemstone of any species before making a purchase. Simply assuming a color profile based on a trade term (or even a description) may be hard to depend on. Likewise images on the internet can be easily enhanced using most modern computer programs today.


At our laboratory, while we recognize the subjectivity of grading colored gemstones, we make use of a coded color-component system popularized by the GIA back when our gemological staff were taking their classes at their campus. In this system, color could be divided into three sections- hue, tone and saturation. Hue pertains to the basic bodycolor of a gemstone. This could be a single main color such as red or blue, or it could be comprised of a dominant color and a modifying color, such as bluish green, purplish red or orangey red. For some gemstones, the hue is also what determines the gem's variety. Take the mineral species corundum for instance. Corundum is defined by its chemical composition of Al2O3, crystalized in the trigonal lattice system, however its two most famous varieties- ruby and sapphire, are defined by their true dominant hue. A gem-quality corundum specimen must have a dominant red hue to belong to the ruby gem variety for example.

This system makes use of 31 different hues, each having its own abbreviated form. Purplish red for instance, would simply be coded as pR. The modifying hue would be marked as a lowercase letter, while the dominant hue would follow as a capital letter. 


Apart from hue, the next component of color would be tone. Tone governs the lightness or darkness of a gemstone's color. Rated as a number from 0 (colorless or white) to 10 (black), a stone's tone plays an important factor in the overall beauty and appeal of its color. The ideal tone values can differ between many separate gem species and varieties. The vast majority of gems maintain a general tone range from 1 (extremely light) to 9 (extremely dark) and typically have their best tier somewhere in the middle of said range- i.e. 5 (medium) or 6 (medium dark). Again, it still depends on the kind of gem though, with regards to the specific ideal tone that the market tends to receive better. 

The third color component would be saturation. Now saturation is the aspect of color that governs its intensity. It is also frequently described as a number that corresponds to a descriptive adjective. Most top color gems would often get a saturation level of 5 (strong) or 6 (vivid). Such would be the way that our lab (and many others) systematically describe the saturation level of a colored gem. Many also use saturation to distinguish variety differences within a species. A green beryl of low saturation for example, would simply be called 'green beryl' and not 'emerald'. A reddish corundum with low saturation or light tone might be classified as pink sapphire rather than ruby. Such topics can be highly debated issues for many gem traders, with the subjectivity of different opinions sometimes causing clashes on where the dividing line exists between two varieties.


This is just one of the many existing color systems currently being used in the jewelry trade, and while it is likely the most comprehensive one, there is no one-single universally accepted system that absolutely everyone will recognize unanimously. Likewise two people using the same system can also have their own differences of opinion, as even the human eye can read color slightly differently (across different individuals).

Color is highly subjective with most precious gemstones, and submitting your gem to a gemological laboratory will allow you to get their unbiased opinion on the specific hue, tone and saturation profile of your gem. This may help you in formulating your own opinion about its color, or aid in counterchecking how far apart your seller's opinion was from that of a third-party assessor's.


In the latter part of the year, our laboratory has procured a very rare set of color grading reference-paddles created by collaborative efforts between the Gemological Institute of America and the Pantone color company. The three dimensional color-calibrated plastic paddles mimic the visuals of a gem, while allowing you to see color differences in much greater depth and appreciation. The 324 GIA Gemset system is widely known to be the most specialized instrumental aid in determining the color of non-diamond gemstones across the history of the jewelry industry. Unfortunately due to a combination of its very high price and the acquisition of Pantone by X-Rite, the set is no longer in production for new customers to acquire today. Laboratories would either have to make use of 'flat' reference images such as computer software created pictures or relatively inexpensive transparent comparison sheets. Both of these work well enough, but do not give the same level of comparative support for color grading when pit against a full three dimensional system such as the GIA Gemset. Whenever comparative aid is necessary, our gemological staff and graders make use of this system to help evaluate gemstones graded with our laboratory since July of this year and onwards. 







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Four Common Diamond Misconceptions

Four Common Diamond Misconceptions


Today, we'll just lightly discuss four common misconceptions believed about diamonds in the jewelry industry. We'll briefly offer counterpoints to these statements in order to provide helpful information from our own experiences and point-of-view.



1.) Some say that diamonds are nearly indestructible?

Diamonds are not indestructible. Even if they are the hardest naturally occurring mineral on the planet, hardness is understood by definition as 'resistant to scratches or abrasion' rather than being impervious to breakage or splitting. Diamonds are actually able to 'chip' and break, especially at the thinnest points of their physical structure- the girdle edge and the culet. Chipped diamonds obviously become lower in value, as this does affect their clarity grade. Likewise, diamonds also have certain crystallographic directions where the bonds between atoms are weaker, causing them to possibly or potentially 'split apart' in clean breaks if hit with enough force along those directions. These are called cleavage planes. Furthermore, diamonds are made of carbon. Carbon can burn. Which is why diamonds can be altered significantly by intensely high temperature fires, and can also be 'cut' or separated using lasers.

2.) There are some people who say that 'lab-grown diamonds' are not diamonds at all? (specifically referring to CVD and HPHT produced LG diamonds)

Actually, by chemical definition- a diamond is essentially made-up of carbon atoms crystallized in the isometric / cubic crystal lattice system. By this definition, a lab-grown diamond is a diamond. The difference between natural diamonds and lab-grown diamonds mainly relates to two things: market price value and how they grew. Natural diamonds take billions of years to form, and this results in the presence of minor trace-elements and certain atomic defects when compared to lab-grown diamonds, which allow properly equipped gemological laboratories to differentiate between the two. Trace elements are very small percentages of elements that are non-essential to a diamond's basic chemistry, but form along with it during growth. The present-day selling prices / value of natural diamonds are higher than those of artificially grown or man-made diamonds due to the rarity factors involved, as well as the idea that lab-grown diamonds can simply be produced over and over again (despite manufacturing technologies still being expensive). Be very careful of using terms like 'real' or 'genuine' when buying or selling a lab-grown diamond. These terms are very subjective and can have different meanings and interpretations for different people. For ethical transparency you should always say 'lab-grown diamond', if your stone is indeed a man-made diamond. You can always further differentiate it from imitation materials like moissanite or cubic zirconia as well, and say that its essential chemistry is composed of carbon.

(Note: Lab-grown diamonds are different from lab-grown imitation materials like cubic zirconia or moissanite. This article refers specifically to lab-grown diamonds grown from the Chemical Vapor Deposition (CVD) process or the High-Pressure, High-Temperature (HPHT) process. We are only talking about man-made diamonds themselves (carbon chemistry), not about any kind of simulant or lookalike gem material.)




3.) Most Philippine collectors think colorless diamonds are always the most expensive ones?

While the vast majority of diamonds in the jewelry trade are indeed colorless to faint or light yellow, and obviously as many of you have noted- the colorless ones are more expensive, in reality there are also other vibrant colors of diamond out there that you may not have come across yet. Fancy colored pink, blue and red diamonds do exist, and these are sometimes more expensive per carat compared to a D-colored diamond. Many of these can often be seen at auction houses and prestigious jewelry boutiques. (Within the D-Z color scale, D is the most expensive color grade, however keep in mind that there are diamonds that exist outside of this scale that may exceed the valuations of stones within it.)

4.) The more facets on a diamond, the better the cut?

Diamond cut is a subject of taste and opinion. Currently the standard 57 to 58 facet round brilliant cut is still the most popular diamond cut around, even with many proprietary manufacturers creating diamond cuts that have up to 100 or even 200 tiny facet surfaces. There is a balance between white light reflection, spectral fire and proportion symmetry that has to be considered when evaluating a diamond's cut and not everyone will prefer the same range as being the utmost standard of beauty. Today though, the RBD currently goes for slightly higher prices that other basic fancy shapes like pears, hearts or ovals.
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